Monsters Not So “Human-clad” After All?

Is it just me, or does Karyu give anyone else the creeps? It’s just sort of a casual habit, but I like listening to music while I blog. Lately I’ve been listening to this (yes, this is a teaser) metal song where an intro leads into the sound of sirens. Well, as I was looking at this image, my eyes went steadily from Zero (who finally doesn’t look like a pedophile anymore, thank goodness), to Tsukasa, to Hizumi (nice, uh, trumpet you got there), and then right as they locked on Karyu, the sirens started up in the song–I don’t know if it was just my imagination or not, but the siren seemed to actually wail the words Karyu wants to eat you. I got so creeped out I had to change the song to U+K.

That is to say, D’espairsRay has created an official page where you can check all of the dates and the statuses of each concert in their world tour. Thank you for this, D’espairsRay! It’s incredibly aggravating having to go to each venue directly to check the status. So although they just gave me nightmares for the rest of the week, at least they made my daily life much easier.

World Tour 2010 Human-clad Monsters Official Page

The Return of the King

It was foretold centuries ago by the great philosophers and learned men. The astronomers looked to the heavens and said “the world as we know it will reach its end. The apocalypse will be feared. And that constellation there (no, a little to the left) will appear on earth to save the people, and all will be made right again.” Well, my friends, he is here.

That’s right. Yoshiki’s plans to conquer the United States have been put in action at last, 18 years after they were first conceived. Along with XJapan, Yoshiki held the first press conference in New York City to pitch plans for a North American tour in 1992. Probably most of you weren’t even born yet. The plans fell through, however, and the band split up in ’97. A proper campaign and future presidency seemed out of his reach until last year when Yoshiki brought his band-members together for what was supposed to be a “final performance” for vocalist Toshi, at the Hollywood music-video filming concert. However, during that time, the band was able to rally together and, although I’m sure it took more than a few shirtless and heartfelt ‘ganbare!’s from the determined Yoshiki, they reunited for a total comeback.

Now that Yoshiki is based out of Los Angeles, his campaign is able to go much more smoothly. With the intention of “starting over” in the US, he has already founded a charity organization THE YOSHIKI FOUNDATION OF AMERICA, and hosted the opening event on July 1st in L.A.. The band is scheduled for Chicago’s Lollapalooza music festival in August, and Yoshiki and other members will be making appearances at select conventions in the country throughout the summer…. Did you think that would satisfy him?

In the fall, the band will be totally reborn– this time in the American music-industry, not the Japanese market. They will release a brand new full-length album which, as quoted by Yoshiki, is currently “90% complete”. But that’s not all, they have also announced a 10-city North American tour that will begin sometime in October, including a (projected) run through Los Angeles, San Fransisco, Vancouver, New York, Boston, etc. They will perform in 2,000-6,000 capacity venues– so if you were expecting an intimate, rock-band comeback…

XJapan is Back

I know it seems like I mock, but actually this is one of the most exciting things happening in the Jrock scene these days. As evidenced by his persistence in trying to get over here for a tour, and with past efforts such as S.K.I.N., Yoshiki is one of the pioneers of Visual Kei overseas activity. It’s pretty cool that he’s finally making this all happen, but also in many ways I’m not remotely surprised. There was never any doubt in my mind that Yoshiki would come to conquer– it was just a matter of time.

XJapan is an interesting phenomenon, though.

For example, if you look at abingdon boys school, MIYAVI, and GACKT, these guys can all sell out the Tokyo Dome in minutes over in Japan. I honestly doubt MIYAVI could sell out a 2,000 capacity venue here. But the point isn’t necessarily whether it’s possible or not. The point is that when an artist like abingdon boys school or GACKT, perform overseas, they perform in miniscule venues. In many ways, the way I look at it, it’s preferable to see them perform overseas because you can get close enough to touch them. In Japan, they perform at huge venues, so that’s not really possible. It creates a different experience of the band overseas. Because it felt like such a powerful experience seeing a.b.s and MIYAVI in tiny venues, I feel like the live impacted me so much more than it otherwise would have, and as a result, I’m a much more devoted fan.

However, when XJapan performed in Hollywood last year, the amount of people who showed up to be a part of that moment was staggering. When their appearance at Lollapalooza was announced, however, it got a mixed response. I think a lot of people wanted Yoshiki to plan his North American activity more like GACKT has planned his European debut. Small, intimate, personal venues that sell out, but for the people who get to go, it’s an unbelievable experience.

But somehow if you look at what happened with the Hollywood filming event, you wonder if that sort of thing is even possible for this band. Does it seem incredible that they can perform before 20-60,000 people in North America? Does this mean that everyone knows a closet-XJapan-fan? There you were, living your Visualist life, thinking you were isolated and alone in your fandom…and now you know that with those kinds of numbers projected for this tour, we should practically all know at least one XJapan fan?

I think the ambition and trust Yoshiki shows by knowing they’ll sell out 6,000 seats is terrific, because these artists should believe they have this kind of fanbase– they need to have that belief in us, because generally they seem to underestimate our numbers. And I hope that by showing this kind of confidence, he can inspire more Jrock artists to perform overseas. But not in 6,000 capacity venues, please and thank you.

Our D’esparation To Finally Pay Off!

Some of you (notably anyone who posted comments or Tweeted me this week) may have noticed that I haven’t been around very much lately. I apologize if there’s been a lag on moderating and replying to comments and contacting you– my personal life has been extraordinarily busy of late, and the past few days I have only had access to my computer in passing. Things should remain kind of hectic on through Thursday, as I still have 12 chord-progressions and 4 bass-lines to write before then. Yes, I know, I’m so not organized right now. After another very long day away from the Source, I was just checking all those necessary components of life– email, Facebook, Dashboard–, warding off sleep with the efficiency of a 4 year old fighting off a grizzly bear, when I happened to skim through my news-feed and find something that sobered me up as effectively as getting struck by lightning.

D’espairsRay World Tour 2010: UNITED STATES


You heard me right, baby! Finally, after months of tedious waiting and multiple panic-attacks and nervous breakdowns, they are here!  Only a few dates have been announced so far, but the rest of the locations are steadily flowing in.

CALIFORNIA

LOS ANGELES, CA, USA

Monday, August 3rd

SAN FRANSISCO, CA, USA

Tuesday, August 4th

WASHINGTON

SEATTLE, WA, USA

Thursday, August 6th

ILLINOIS

CHICAGO, IL, USA

Monday, August 9th

CANADA

TORONTO, ONTARIO, CANADA

Wednesday, August 11

NEW YORK

NEW YORK, NY, USA

Saturday, August 12

GEORGIA

ATLANTA, GA, USA

Friday, August 14

TEXAS

DALLAS, TX, USA

Sunday, August 16th

HOUSTON, TX, USA

Monday, August 17th

The venues, times, ticket information, and the rest of the dates and cities are on the way. As of right now, some of the dates may be subject to change (they rearranged the schedule since I posted this). I’ll be updating every alteration to the current schedule, so this list isn’t static.

Source: Official Facebook

UPDATED: UPDATES CLOSED AS OF 6/13. FULL INFO HAS BEEN ANNOUNCED SEPARATELY.

Miyavi World Tour: North America Circuit

++UPDATED ON 5/28/10 ++

Miyavi released the dates for the North American circuit of his Neo Tokyo Samurai Black World Tour 2010. Dates kick off in California in the beginning of June, and will carry on with select dates across the US (with two dates in Canada)on through the beginning of July. Finally the Jrock gods have begun to answer my prayers…

2010/6/10 San Diego, CA / House of Blues

2010/6/12 Los Angeles, CA / Club Nokia Live

2010/6/13 Anaheim, CA / The Grove of Anaheim

2010/6/15 San Fransisco, CA / The Fillmore

2010/6/17 Vancouver, BC / Commodore Ballroom

2010/6/18 Seattle, WA / Showbox

2010/6/19 Portland, OR / Roseland Theater

2010/6/23 Chicago, IL / House of Blues

2010/6/24 Toronto, ON / Sound Academy

2010/6/25 Boston, MA / Harper’s Ferry*

2010/6/27 New York, NY / The Fillmore New York at Irving Plaza

2010/6/29 Washington, DC / 9:30 Club

2010/7/1 Atlanta, GA / Masquerade

2010/7/3 Dallas, TX / House of Blues

2010/7/4 Houston, TX / House of Blues

Note: The Boston, MA show was originally held at The Wilbur Theater. Venues were changed on 5/27 to Harper’s Ferry. For more info, go @here

Source: Official MySpace

Versailles Leaves Japan for World Tour After All!

Looks like Versailles PQ will be taking their world-tour, y’know, worldwide after all. Their first international dates were announced this morning, along with a hearty promise for more to come.

Versailles International Dates:

-Method of Inheritance- Latin America

June 04  Sao Paulo/BRAZIL

June 06  Santiago/CHILE

June 09  Buenos Aires/ARGENTINA

June 11  Lima/PERU

June 13  Mexico City/MEXICO

-Method of Inheritance- Europe

Period: from late June until the middle of July

To be announced soon!

+Source+

Official Website

+More Info+

Full list of Japan tour dates